Saturday, 22 December 2012
mobster , little tiny robots that can eat anything in their path
the sound and sound effects editing won oscars
a sniper who kills 300 people
they carved a swastika into her head
With no where to go the aliens are left to themselves
the Prime ministers foul mouthed henchman , who insults everyone and is just a really funny character using a robot to try to see into what looks like a pile of rubble , but is really a Road side bomb. The tension mounts as they prepare to defuse it and we get to see a side of war not ever seem by most military, yet alone the general public while in unfriendly territory and not knowing who the enemy is or if the people who made the actual bomb are watching
gripping, nightmarish repulsive and compulsive a cross between Lord Of The Flies and Straw Dogs
learning to survive in the wild … first-rate camerawork makes you feel what it must be like to break your leg, crawl down a mountain and then nearly die of dehydration while a song inside your brain drives you mental strong reactions as they revisited the fateful mountain together for the first time it seems oddly perverse not to have footage of this to bridge the awkward divide between drama and talking heads The chasm between drama and real life is all the more noticeable because the camera stays for so long on the real faces of that it's hard to accept the actors who play them in the re-enactment
to generate suspense and pathos. One prisoner was losing his sight, sweat-inducing, nerve-jangling, rollercoaster-ride that leaves your legs feeling as if they're made of blancmange
23.20, 22.12.12.
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