Thursday, 8 November 2012

misc draft

scratching  your shoulders trying to climb out 

I seem to have turned into someone else ... leopard skins are sooo last year darling ... that heston cannelloni on a stick ... spinach and ricotta ... lemon sole ... and something else in there ... he's made a savoury sherbet that fizzes ... a very fine thing ... and the San Pellegrino to boot ... served in a dish of dry ice ... I think my hot tongue is going to stick to it ... 

*********

you know ... and you roll over and over letting your bodies merge ... ghost writing messages from each others' psyche until the last leafe fell ... 



18.38, 9.11.12. © Lizarikk, All Rights Reserved

blathering


I seem to be inflated like hydrogen crashing agains the airbag in slow motion I went through a different door my shadow in the back of my head   


theres a smell like a wolf on heat you know like spicy musk 



buzz a low droning vibrating sound ... enhancing the music ...




druidism dynamism echoism  egoism electromagnetism elitism emotionalism  empiricism euphemism exorism fetichism 

marxism holism illusionism 


10.11.12. 11.37am / 12.28pm 

plasma weapon dadaism anachronism animalism adactylism antagonism antirealism antiromanticism atonalism bohemianism bossism 
vandalism exorcism careerism apriorism  organism jizm alarmism alienism  plasm phantazein cytoplasm sarcasm phantasm



2.34am, 9.11.12. © Lizarikk, All Rights Reserved/12.25pm

David Langford's short story BLIT (1988) posits the existence of images (called basilisks) that are destructive to the human brain, which are used as weapons of terror by posting copies of them in areas where they are likely to be seen by the intended victims. Langford revisited the idea in a fictional FAQ on the images, published by the science journal Nature in 1999 The neuralyzer from the Men in Black films are compact objects that can erase the memories of the victims by the means of a small flash of light, making the populace unknown and ignorant of alien existence


the ray gun began to be replaced by similar weapons with names that better reflected the destructive capabilities of the device. These names ranged from the generic “pulse rifle” to series-specific weapons, such as the blasters from Star Wars, or the phasers from Star Trek

Themes of  conditioningmemory-erasing, and other mind control methods as weapons of war feature in much science fiction of the late 1950s and 1960s, parallelling the contemporary panic about communist brainwashing, existence of sleeper agents, and the real-world attempts of governments in programs such as MK-ULTRA to make such things real



Another common theme is that of dehumanisedcyborg or android soldiers: human, or quasi-human beings who are themselves weapons. Philip K. Dick's 1953 short story "Second Variety" features self-replicating robot weapons, this time with the added theme of weapons imitating humans. In his short story "Impostor", Dick goes one step further, making its protagonist a manlike robot bomb that actually believes itself to be a human being.
The idea of robot killing machines disguised as humans is central to James Cameron's film The Terminator, and its subsequent media franchise.
In Harlan Ellison's 1957 short story "Soldier From Tomorrow" the protagonist is a soldier who has been conditioned from birth by the State solely to fight and kill the enemy. Samuel R. Delany's 1966 novella Babel-17 features TW-55, a purpose-grown cloned assassin. Ridley Scott's 1982 film Blade Runner, like Philip K. Dick's novel Do Androids Dream of Electric Sheep?, on which it is loosely based, uses the story of a hunt for escaped military androids to explore the idea what it means to be human.
The idea of animate weapons is now so much a science fiction cliche that it has spawned a whole genre of science fiction films such as HardwareDeath Machine and Universal Soldier



Doomsday machines

Doomsday machine is a hypothetical construction which could destroy all life, either on Earth or beyond, generally as part of a policy of mutual assured destruction.
In Fred Saberhagen's 1967 Berserker stories, the Berserkers of the title are giant computerized self-replicating spacecraft, once used as a doomsday device in an interstellar war aeons ago, and, having destroyed both their enemies and their makers, still attempting to fulfil their mission of destroying all life in the universe. The 1967 Star Trek episode "The Doomsday Machine"[9] written by Norman Spinrad, explores a similar theme.
Alien doomsday machines are common in science fiction as "Big Dumb Objects", McGuffins around which the plot can be constructed. An example is the Halo megastructures in the video game franchise Halo, which are world-sized doomsday machines



Cyberwarfare and cyberweapons


The idea of cyberwarfare, in which wars are fought within the structures of communication systems and computers using software and information as weapons, was first explored by science fiction.

John Brunner's 1975 novel The Shockwave Rider is notable for coining the word "worm" to describe a computer program that propagates itself through a computer network, used as a weapon in the novel.[7][8] William Gibson's Neuromancer coined the phrase cyberspace, a virtual battleground in which battles are fought using software weapons and counterweapons.The Star Trek episode A Taste of Armageddon is another notable example.
Certain Dale Brown novels place cyberweapons in different roles. The first is the "netrusion" technology used by the U.S Air Force. It sends corrupt data to oncoming missiles to shut them down, as well as hostile aircraft by giving them a "shutdown" order in which the systems turn off one by one. It is also used to send false messages to hostiles, in order to place the tide of battle in the favor of America. The technology is later reverse-engineered by the Russian Federation to shut down American anti-ballistic missile satellites from a tracking station at Socotra Island, Yemen


9.11.12. 13.59 Wiki  

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